Grammy World Music winners

The National Academy of Recording Arts and Sciences (NARAS) announced the winners of the 49th Grammy Awards. Of interest to our world music fans, join us in congratulating the winners in the two world music categories.

Best Traditional World Music Album:
Soweto Gospel Choir, Blessed (Shanachie)


Best Contemporary World Music Album:
The Klezmatics, Wonder Wheel (Jewish Music Group)


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Ojos de Brujo in London

Towards the end of Ojos de Brujo's exhilarating two-hour show, the keyboardist, speed-rapper and translator DJ Panko told the non-Spanish half of the audience that the singer Marina had said something to the effect that "Tanguillo de Maria" "is very, very happy song for you". That could have applied to virtually any of the Barcelona band's relentless set. Many of their songs are overtly political, but the vibe is always up.

Marina, with her locks bound tight in an orange head-wrap, antique clothes and scarlet feather boa, looked like the Rastafarian offspring of Frida Kahlo. She ran around the stage, singing every song with the same throaty intensity.

Her melodies have a Spanish heart of darkness, but then an Arabic twist or Indian flourish lifts them to another level. She was flanked by two flamenco guitarists, a drummer, two percussionists and a bass player, plus any number of bit players, including a male flamenco dancer. The musicians gave the impression of racing each other to the end of each song, rather than simply playing it.

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Tinariwen - Aman Iman

The phrase "Aman Iman", in the Tamashek language of the Tuareg nomads of the Sahara, means "Water is the soul", or "Water is life", and is often followed by "ach isoudar", meaning "and milk is survival". As such, it's an apt title for this latest album by Tinariwen, reflecting both the Tuareg's ongoing struggle for survival in one of the harshest environments, and the need for more nourishing fare - both physically and intellectually - required to survive in the wider world.

Until Tinariwen were discovered a few years ago and started touring outside Africa, it was rare for any Tuareg to travel outside theirhomeland; and their isolation and lack of education served them poorly during the long dispute with the Malian government, an almost secret war that has gone largely unreported. Tinariwen formed in the rebel training camps of Algeria and Libya in the early 1980s, whence they had fled following the government's crushing of a 1963 insurrection in which the parents of several members, including those of charismatic frontman Ibrahim Ag Alhabib, were brutally slain. Several songs here date from that era, notably Ibrahim's lament "Soixante Trois" and Alhassane Ag Touhami's "Tamatant Tilay", a 1983 war cry urging the Tuareg into battle.

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Rainforest World Music

The 10th edition of the Rainforest World Music Festival in Santubong, near Kuching, Sarawak, from July 13-15, promises to be a reunion to remember, and artistes are already being confirmed for this special anniversary event.

This year, there will be no new acts, with all artistes performing making return visits after having previously taken this annual festival by storm. Acts confirmed thus far hail from the four corners of the world and will eventually total some 20, organisers have revealed.

From Africa come Madagascar’s Tarika Be and Zimbabwe’s Black Umfolosi. Led by charismatic singer songwriter Hanitra Rosoanaivo, Tarika will surely be welcome, while Black Umfolosi makes an unprecedented third visit to the festival.

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Tinariwen

The Tuareg tribesmen of the Sahara have a saying, something along the lines of "Patience comes from God, haste comes from the devil". I wish somebody had told our Tuareg driver. The adage, doubtless well-suited to life lived at camel's pace under the scorching sun, is rather less pertinent when you're tearing across the desert at upwards of 60mph in that latter-day ship of the desert, the Toyota Land Cruiser.

There is only one main road linking the populous southern part of Mali, around the capital Bamako, with our destination, way up in the north-east - and we left the road behind at Gao, on the Niger river. It's another 200 miles across desert scrubland littered with boulders and trees bearing spines the size of toothpicks, following the hundreds of criss-crossing vehicle tracks over what is aptly known as a piste, to Kidal, the home base of Tinariwen, the Tuareg band whose latest album Aman Iman (Water Is Life) has just been released to huge acclaim.

By the time we reach Kidal, the suspension on two of our four vehicles has broken, their sturdy iron bars snapping like twigs as we slough around in sand and bounce over rocks and potholes. Not for nothing do the Tuareg have another saying: "The desert rules you, you don't rule the desert." Frankly, you don't even get a vote.

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