If I died tomorrow, rather than have the burnished baritone boom of a James Earl Jones God welcome me to through the pearly gates, I'd opt for the everything's-okay-really-it-is purr of a Bebel Gilberto God. Maybe this gives us a clue as to the secret of this Brazilian singer's huge success (her debut Tanto Tempo was the biggest Brazilian album ever in the USA.) It's a comfort thing: she's never in-your-face, just softly in your ear; she doesn't grab her material by the throat, she sidles up to it, throws an arm around its neck, and takes it for a stroll along the beach. But surely being carried on stage and carefully lowered onto a chaise longue is taking the whole laid-back thing a bit too far.
But before we get to the seduction by stealth methods of Ms Gilberto, a few necessary words about the support band, Kassin + 2. Playing tracks from their bold new album Futurismo they produced a constantly surprising and playfully original post-rock-meets-tropicalia sound. As soon as you felt you had them figured out, they'd shoot off on another tangent altogether. A hard act to follow. Read More
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