Showing posts with label Baaba Maal. Show all posts
Showing posts with label Baaba Maal. Show all posts

Sunday, June 27, 2010

Baaba Maal at the Hollywood Bowl

Reed Johnson reviews Baaba Maal's performance at the Hollywood Bowl.
No continent has parented more musical children than Africa, and its progeny were out in force on Father's Day at the Hollywood Bowl.
Never mind that many of these creative offspring — reggae, blues, gospel, beat-happy electronica — make their primary homes in distant parts of the planet. Sunday's ebullient concert, headlined by the veteran Senegalese sonic nomad Baaba Maal, reminded us that in today's digitalized global village of file-sharing and YouTube, African music lives everywhere.
Everywhere, at least, where rhythm rules.
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Wednesday, May 19, 2010

Baaba Maal: Television

Television
Mark Jenkins reviews Baaba Maal's Television.
Longtime fans may miss the more emphatic singing of Maal's previous recordings -- his power is showcased here only on the flamenco-tinged "Dakar Moon" -- or wish that he hadn't ceded so many vocals to Sciubba. On its own terms, however, "Television" is a success. Such songs as "Miracle" and "International" claim the whole world with a gently lilting assurance.
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Saturday, November 25, 2006

Baaba Maal - Senegal

This Senegalese musician plays a music without borders. Its simple and sophisticated style touches you in the eart. Baaba Maal was born in Podor, a small village located in the banks of the Senegal river, in the border with Mauritania. Since his adolescence he integrates the group "Asly Fouta", where he learns how to play various traditional instruments. He tours through all West Africa with Mansour Seck, a friend griot. Along the concerts, from village to village, he meets the older ones which tell him the history of each region and its music. When later Baaba Maal arrives in Paris, he impregnates his music with western sonorities and finds its way. It as an complete musician that he returns to Dakar. There, he creates his group "Daande Lenol" (the Voice of the People) and releases his first album "Firin' in Fouta". For "NOMAD Soul", Baaba Maal invites several international musicians: the female vocal quartet "Screaming Orpheans", from Ireland, Robbie Shakespeare, the mythical bass player of the reggae 100% jamaïcain and Brian Eno, pioneer of rock'n'roll and experimental music. These last years, the Senegalese musician is return to his origins by developing a more acoustic music.
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