Tony Allen: Secret Agent

A.D. Amorosi reviews Tony Allen's Secret Agent

At nearly 70, Tony Allen is one of the few links to Afrobeat's past and its future. He was the drummer and unofficial music director of Fela Kuti's Africa 70 between 1968 and 1979. As if that weren't enough, Allen added intricate percussion to sessions for Manu Dibango and King Sunny Ade. In the 21st century, Allen was a founder of the dub-inspired The Good, The Bad and The Queen with Gorillaz/Blur main man Damon Albarn and Clash bassist Paul Simenon.
As a composer and leader, Allen shines just as brightly.

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Tony Allen: Secret Agent

Richard Elliott reviews Tony Allen's Secret Agent.

As the co-creator with Fela Kuti of the Afrobeat style that emerged from Nigeria in 1970, drummer and arranger Tony Allen is a deservedly legendary figure in popular music history. However, Allen is very much a figure of the present, as he continues to prove via recordings released under his own name and with the group responsible for The Good, The Bad & The Queen—featuring Allen, Damon Albarn, Paul Simonon, and Simon Tong. Secret Agent was released in Europe in 2009 to considerable acclaim and is now being given a North American release by Nonesuch prior to a string of dates that Allen and his band will undertake on the continent in June of this year.

This brilliant album showcases Allen’s distinctive drumming style and represents his considerable skills as a producer and arranger. He is accompanied by his touring group, a highly skilled octet whose instrumental palette mixes the expected (heavy bass, high electric guitar, horns) with the more surprising (accordion, Vocoder). Allen has written the music for all the tracks and some of the lyrics. Other lyrics are provided by the various vocalists featured on the album, some of whom double up on backing vocal duties. Vocal call-and-response is utilized fantastically throughout.

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